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FORMAT: 15s / MULTI-SHOT / TIME-LAPSE BUILD SEQUENCE STYLE: Bright, playful 3D animation, soft global illumination, vibrant colors, smooth cinematic motion, childlike warmth ⸻ CHARACTER SETUP: •@img1 = main character (MUST remain EXACTLY as reference: no mouth, no nose, same mask, same proportions, same outfit, no alterations) •@img2 = LEGO-style figurine model inspiration (final build result) ⸻ SCENE 1 (0s–3s) – ESTABLISHING Full room view, warm sunlight pouring through a window onto a clean desk. @img1 sits at the desk, posture slightly leaned forward, focused and calm. LEGO pieces scattered across the table. Camera: slow cinematic push-in. Mood: peaceful, creative, bright daytime energy. ⸻ SCENE 2 (3s–6s) – TIME-LAPSE START Time-lapse begins. @img1 rapidly assembles LEGO bricks with precise, smooth hand movements. Blocks snap together quickly, forming the base structure. Camera: quick angle cuts (front → side → over-the-shoulder). Lighting remains soft and sunlit. ⸻ SCENE 3 (6s–9s) – HAND DETAIL Close-up on hands. Fingers nimbly snapping LEGO pieces together with satisfying motion. Bricks begin to resemble @img2’s form. Camera tracks hand movement smoothly, shallow depth of field. ⸻ SCENE 4 (9s–12s) – BUILD PROGRESSION Time-lapse intensifies. The LEGO creation rapidly evolves into a clear version of @img2. @img1’s body language shows focus shifting into excitement (head tilt, subtle posture lift — NO facial change since no mouth). Camera: orbiting slow motion mixed with time-lapse. ⸻ SCENE 5 (12s–15s) – FINAL REVEAL Time-lapse ends. @img1 pauses, looks down at the finished LEGO figure (matching @img2). Subtle head lift to acknowledge completion (no smile, expression conveyed through posture only). Camera pulls back to wide shot, sunlight glowing over the desk. Final frame: completed LEGO figure centered in view. ⸻ ⚠️ STRICT CHARACTER RULES •DO NOT add a mouth or nose to @img1 •DO NOT change head shape, mask, or textures •DO NOT stylize @img1 into LEGO form •Keep @img1 fully consistent with reference image at all times

How to work from this case

  • Start with the original prompt and identify which subject, camera, and mood phrases drive the output.
  • When iterating, change one variable first: lighting, motion, or emotion.
  • If references are involved, adjust framing and movement separately for more stable generations.

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