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The last human lighthouse keeper in the world sits in the lantern room of his lighthouse off the coast of Maine, watching a fully autonomous shipping fleet pass silently in the fog below. He is in his seventies, weather-worn, unhurried. The

How to work from this case

  • Start with the original prompt and identify which subject, camera, and mood phrases drive the output.
  • When iterating, change one variable first: lighting, motion, or emotion.
  • If references are involved, adjust framing and movement separately for more stable generations.

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