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Détails du prompt

1. Intense Energy Collision Make the red and blue energy in the image explode, showing the dynamic tension between the two sides. A powerful light erupts from the center of the frame; on the left, a silver-haired man releases dazzling blue electric light, while on the right, a tattooed man releases a dark red shockwave. The two maintain a confrontational stance as the surrounding ground continuously cracks, with debris floating upward due to gravitational influence. The camera slowly zooms in to enhance the visual pressure. High frame rate smooth animation, ultimate particle effects, hardcore anime style. 2. Character Close-up: Targeting the detailed sensation of slight finger movements and flowing cursed energy. Close-up shot. The silver-haired man has a calm expression with a slight smirk. Liquid-like blue energy wraps around him, and his hair sways violently with the airflow. The background is a dark city ruin. Light and shadow jump violently across the character's face, displaying top-tier animation quality. 3. Character Close-up: Expressing the villain's madness and the oppressive feeling of red cursed energy. Close-up shot. The man with black tattoos all over his face laughs wildly, crossing his hands to form a complex seal. Red lightning jumps between his fingertips. Red light soars into the sky in the background, filled with a destructive aura. Sharp lines, strong shadow contrast, perfectly replicating the peak combat quality of shonen anime. 4. World-Ending Ultimate Move (Wide Shot) Showing the violent explosion after the collision. Overhead bird's-eye view. Two massive spheres of red and blue energy expand wildly and consume each other amidst the city ruins, eventually triggering a giant spherical explosion cloud. A white shockwave sweeps through all buildings. The camera shakes violently, filled with an epic sense of war.

How to work from this case

  • Start with the original prompt and identify which subject, camera, and mood phrases drive the output.
  • When iterating, change one variable first: lighting, motion, or emotion.
  • If references are involved, adjust framing and movement separately for more stable generations.

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