Détails du prompt
【Style】Neo-Chinese Wuxia, Ink Fluid Simulation particle effects, High-speed Cinematography, combination of live-action and CG, black/white/red visual impact, extremely fast-paced. 【Duration】15 seconds 【Characters】Black Ink Warrior: Robust movements, every strike is as heavy as a splash-ink landscape. Red Assassin: Light and eerie movements, sharp as a cinnabar dot. 【Scene】A pure white void space, the ground covered with Xuan paper. [00:00-00:05] Shot 1: The Awakening. From extreme stillness to extreme motion. The image begins as a static black-and-white ink painting with two ink dots confronting each other. Suddenly, the sound of the Guqin explodes. 【Action】The two ink dots instantly transform into human afterimages rushing toward each other. The Black Warrior throws a heavy punch, and a cloud of thick black ink (replacing dust) instantly explodes in the air, the ink solidifying into bold calligraphic brushstrokes. The Red Assassin dodges sideways, their dagger carving a bright cinnabar red line through the air. [00:05-00:10] Shot 2: Ink Combat Choreography. Rapid Cuts. The two engage in dazzling close-quarters combat (martial arts choreography level). 【Visual Spectacle】Every physical collision (fists and feet) produces the sound of exploding ink splashes rather than physical impacts. The Black Warrior's sweep kick kicks up a tsunami of black ink; the Red Assassin’s mid-air chain kicks leave red afterimage trails. The Xuan paper on the ground is torn by their footsteps, with ink stains blurring out. [00:10-00:15] Shot 3: Breaking the Dimension. Slow-motion ramp-up. Both use their ultimate finishing moves simultaneously. A black ink dragon fist and a red vermillion bird blade lock against each other in mid-air. 【High Energy Moment】The massive energy causes the entire 2D ink world to collapse. The camera zooms out sharply, revealing they have shattered the "fourth wall," "falling" from a torn ink painting hanging on a wall onto a real-world wooden floor. Surrounded by lingering ink rhythms and paper scraps, the two figures freeze in their final combat stance, gasping for breath.
How to work from this case
- Start with the original prompt and identify which subject, camera, and mood phrases drive the output.
- When iterating, change one variable first: lighting, motion, or emotion.
- If references are involved, adjust framing and movement separately for more stable generations.
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