Prompt Details
Sports Car Commercial Photography Storyboard Shot 1 (1.5s): The scene opens with the sports car, front view, showcasing the iconic “angry” front face. Shot 2 (1s): Close-up shot, the virtual camera slowly orbits the car emblem (pure orbit, no spinning), focusing on the Ferrari Prancing Horse logo. Shot 3 (1.5s): Close-up shot, viewing the LaFerrari's unique butterfly door (car side) diagonally, performing a slow orbiting camera movement to emphasize the body lines. Shot 4 (1s): The camera moves to the rear of the car for a close-up shot, then slowly pulls back, using the Hitchcock zoom (Dolly Zoom) effect to create visual impact. Shot 5 (1s): Close-up shot of the car's rearview mirror, maintaining a slow orbiting camera movement. Shot 6 (1s): The camera slowly pushes forward, using a low-angle push-in movement. The car is stationary, showing strong perspective, gradual light and shadow changes. Professional automotive photography, deep background, cinematic composition, stable center of gravity, high-definition real-shot quality. Shot 7 (1s): Horizontal track sliding camera movement, the camera sweeps parallel across the LaFerrari body. The car is stationary, smooth panning shot. Side light outlines the waistline, wheel hub close-up, delicate reflection, premium feel, cinematic camera work, clean composition. Shot 8 (1s): Top-down perspective, the camera slowly descends. Static sports car, perfect body proportions, top light texture, clean ground reflection, aerial-like camera movement, car stationary, symmetrical composition, luxurious texture, 8K hyper-realistic, advertising-grade visuals. Shot 9 (1s): The camera slowly pushes in for a close-up, transitioning from the whole car to the headlights/wheels/waistline. The car is stationary, macro details, gradual light and shadow changes, cinematic shallow depth of field, premium texture, sharp details, commercial photography. Notes: No transitions are needed between shots. No people should appear in the frame. Maximum quality: 8K.
How to work from this case
- Start with the original prompt and identify which subject, camera, and mood phrases drive the output.
- When iterating, change one variable first: lighting, motion, or emotion.
- If references are involved, adjust framing and movement separately for more stable generations.
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